Why I Write: Thoughts on the Craft of Fiction (A back bay book) Book + PRICE WATCH * Amazon pricing is not included in price watch

Why I Write: Thoughts on the Craft of Fiction (A back bay book) Book

With the enormous quantity of books on the market purporting to teach us how to write, it is with some relief that someone has thought to pull one together on why writers write. Will Blythe, a contributing editor to Harper's and Mirabella and formerly the literary editor at Esquire, has assembled a fine cast of 26 contemporary fiction writers to muse on his assigned topic, "Why I Write." The reasons, boiled down, range from "Because I can't do anything else" to "Because I can't not write." Ho-hum. But these are fiction writers, don't forget, and fiction writers can spin yarns. Thom Jones's (The Pugilist at Rest, Cold Snap) formation as a writer began, perhaps, during lunch hours spent drawing sharp-witted comics in the principal's office at a Lutheran elementary school. A promising start at the Iowa writing program dead-ended, seemingly, with drunken night shifts as a school janitor. Only an epiphany involving Wile E. Coyote drew him back to writing. Before long, he'd sold three stories in one afternoon, to Harper's, Esquire, and the New Yorker. "Fiction writers often mature at a glacial pace," says Jones. " I was slower than most." With apparent effortlessness, Elizabeth Gilbert (Pilgrims) weaves together tales of a cursing cowboy, her grade-school diary, a gawky teenager who aspired to be a magician, and a man whose neighbors had stolen his cat. "Sometimes," says Gilbert modestly, "when we are trying to find a calling, it is helpful to confirm that we are not really very good at anything else." Gilbert, it is clear, has found her calling. And Mark Richard (The Ice at the Bottom of the World, Fishboy) tells a sprawling mini-saga about a "special child" whose life is so full of the elements of good fiction (a scorpion-infested sandbox, a homesick mother, a father who accidentally lit a borrowed bulldozer on fire, a mean tomcat named Mr. Priss, a family friend who got shredded in a silage bin) that you can't imagine him not becoming a fiction writer. Also: Lee Smith, Pat Conroy, David Foster Wallace, Tom Chiarella, Jayne Anne Phillips, and others. --Jane SteinbergRead More

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  • Product Description

    "What makes the great American fiction writers tick? Like so many of us, editor Will Blythe was intrigued by the question. His curiosity led him to ask twenty-six of the most exciting and accomplished novelists of our time why they do what they do. To pursue a vocation like fiction writing these days demands an almost religious sense of mission, with little chance of making a living, let alone a fortune. (And yet it sometimes seems there are more fiction writers than readers!) This landmark anthology offers a privileged, behind-the-scenes look at the imaginative processes of some of America's best writers. Featuring original essays by such literary lions as Norman Mailer, Robert Stone, Pat Conroy, and Terry McMillan, along with work by rising stars Rick Moody, Elizabeth Gilbert, and Denis Johnson, the book offers eloquent (and occasionally bemused) proof of why the art of fiction writing will endure.

    The ways in which these writers illuminate the motivations at the heart of their creative lives are as surprising and varied as their fiction. Some divulge long-held secrets; some offer a glimpse of their childhoods; several admit grand, high-toned ambitions; a few even say, in effect, "Show me the money." All the writers address the extraordinary mysteries of composition and reveal the near infinite number of ways in which one can become a writer. Readers will find even the most oblique responses to Blythe's assignment--like Mark Richard's story "Who Is That Man Tied to the Mast?"--to be some of the most revealing and creative commentary ever made on the writer's life and the practice of fiction. Why I Write is a collection to be savored by all lovers of serious fiction, and by aspiring and established writers alike."

  • 0316115924
  • 9780316115926
  • 4 May 2000
  • Little, Brown & Company
  • Paperback (Book)
  • 256
  • 1st Back Bay Pbk. Ed
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